Freds reveal high, soft ball shooting techniques

Zephyr Melton
When you don’t want to worry about the green, hit a lobe instead of a low chip.
Getty Images
Golf coaching has been evolving, but the best advice has stood the test of time. In Golf.com’s new series “The Eternal Tips”, we highlight some of the greatest advice teachers and players distributed in the Golf Magazine page. Today, we review our October 1994 magazine when the Fred couple explained why he likes to play high, soft balls around the green. If you have unlimited access to the complete Golf Magazine Digital Archive, please join InsideGolf Today; your value is only $140, only $39.99/year.
Saving par around the green is to have multiple shots. While it’s great to have a wedge, this situation doesn’t always require just one technology. That’s why it’s crucial to learn a variety of shooting types around the green.
If you watch professionals, you will see mastery of all kinds of shots in each round. Take the Freds as an example. As the winner of Augusta National, he quickly stood by and watched as he played up and down.
As early as 1994, the couple joined Golf Magazine To explain how to hit one of the shots: high, soft pitch. View below.
Couple high pitch shooting
Most instructors of short games will tell you that using fairly straightforward iron, the best way to play chip lenses is relatively low and run. The idea is to load the ball far enough in the air to land on the green and roll the rest smoothly onto the hole like a push rod.
It has been difficult for me to visualize and execute this type of low-chip shooting over the years. But with the help of teacher Paul Marchand, I have mastered it and used it when dealing with some difficult lies, or in the case where it is best to “feed” the ball into the hole. In such a dilemma, my hands moved forward to my position. I set 60% to 70% of my weight on my left foot and stayed there throughout the action to ensure a sharp drop on impact. This is a handy lens, but the truth is, I prefer to hit the farther green chip lens and then roll the shorter remaining distance into the hole.
This is an analogy that can better help you see the difference between the two styles. The running chip can almost be compared to the action of a bowler to release the ball into the driveway. After releasing the ball from his hands, it is only a small distance in the air, then contacts the lane and rolls the rest of the path to the target.
By contrast, I like to imagine playing most chip lenses more gently in the air. A useful image is the idea of a four-year-old who is 10 feet away popping up toward a softball. You want the kid to catch the ball as easily as possible, so you throw it away at a fairly high angle to give the kid time to react. Of course, you don’t want to throw a big “popup” that the child has to measure like a shortstop – just a nice, soft, soft toss.
Why is this photo useful
I’ll be performing this kind of chip stroke soon. But first, let me explain why I think it is so useful, especially on modern golf courses.
Many modern courses feature green, more severely hilly and tilted than they were 20 years ago. Suppose your chip lens will cover 60 feet of green. If you are planning to land the ball onto the putter surface, you may have to read perfectly two or three different breaks in order to cut it into near holes.
But, let’s say you decide to play with more Lob-style chips so you’ll take the ball to the green and roll it 30 feet. In this case, you just need to read the green from where the ball lands to the hole. Therefore, you reduce the number of calculations you need to make and simplify the shooting process.
Overall, I hit most of my chips with a higher club – 9 iron, pitch wedges, sand wedges and wedge wedges. Work with these clubs in various locations around the green, accustomed to the carry they provide. Relying on four clubs instead of six will also simplify your club selection process.
Now that you know my basic philosophy about debris, let’s discuss the mechanics of this scoring shot.
How to hit a high pitch shot
I tried playing with the chip lens, similar to how I swing the club on the full lens, and I recommend that you do so. The long-standing advice about chip stroke is that it is a relatively short, firm punching move, in which case you can take the address position in front of the ball, most of the weight is mostly on the left foot, and the ball puts it on the stand. All of these address adjustments facilitate a steep descent motion in which the club hits the ball in a large capacity position so the ball remains on the ground. As I said before, in some cases, a firm, dominant approach is necessary, or even necessary. But I don’t think this is always the best way to do it.
Instead, consider taking my more natural approach with the following:
Weight balance
For most chip lenses, my weight is evenly distributed between my feet. If anything, I might set a bigger weight on my right foot, just like my lens is longer.
The ball is in front of the center
Assuming you have a pretty good lie, try playing in a rather narrow position in the center, or in front of the center. On short chips, this is a good idea to make your position (and body) slightly open to your goal. This will help you see the target more clearly as you want to settle on the camera.
Even the ball
Instead of assuming your address in front of the ball, try to bring them back to the level of the ball. This will help you hit the ball cleanly at the bottom of the stroke. You can put the entire club on the ball this way, rather than the “trap” action between the ball promoted at the front and the backward position of the club. Strikes with the club’s center give you a better feel and better control of distance.
Right hand controls the rear row
Start your defender by pulling the club back smoothly from the ball with the right hand that controls the movement. On the top of the back swing, let your right wrist be slightly articulated instead of trying to create a stiff stroke. I think you’ll find these guard moves further enhance your feeling.
You will notice that by using wrist movements in a chip stroke, Clubhead will move in an absorbed arc, rising up on the ground at the top of the defender. Don’t try to keep the club head unnaturally low by keeping the wrist speed lever. I think this creates a wooden stroke, which reduces the feeling of the club head that you can get by naturally hinging it.
The longer the chip, the higher the Clubhead, the higher it will rise from the ground. Through practice, you will completely feel how to use different clubs and different lengths of backstroke. There is no substitute for this awareness and sense of distance. In the long run, this will be a good time for practice time as you will build the ability to closely control the total distance (combined carry and roll). Moreover, distance control is the most important factor in debris. You’re more likely to pass a 10-foot chip shot hole or shorter than hitting a 10-foot offline.
Free release of the club through the ball
You should feel like you freely release the club with your right hand, so the club head describes the same U-shaped arc as the way back. When you make contact, the club head will move along the rather shallow path I argue for, rather than sharply cut down.
You may notice that many golfers hardly follow their chip strokes, which is the result of their hands-on, downward strokes, and follow-up is hindered as they are in contact with the ground. By contrast, my right hand released the club head by impact, so it describes the follow-up arc of the defender. You might imagine that your stroke is shooting the ball towards the target.
Just like in full swing, I wouldn’t force my left hand to lead the impact in front of the club. I think this is an unnecessary unnatural move. Trust your natural phone release to face the club to the target when impacting, and you will get soft, controlled flights that are the basis for improving debris results.
As I said, my crumb method requires some practice. Stroke is not difficult to master because it is so natural. Actually, the only thing you have to do is to cancel the old stiff method. That shouldn’t be too difficult. However, you need to adjust the visualization of the lens so that you learn to choose the appropriate landing point (near the hole), your larger club and Lob-style club will need to stop the cup from stiffening to the cup, or!
Zephyr Melton
Golf.comEdit
Zephyr Melton is an assistant editor at Golf.com, where he spent his days of blogging, making and editing. He participated in the University of Texas before joining the golf team, before stopping for the Texas Golf Association, Team USA, Green Bay Packers and the PGA Tour. He assists with all mentoring, covering amateur and women’s golf. He can be contacted at zephyr_melton@golf.com.



